ThestoryopensinBalochistan,inasmall,scarcely‘wired’villageborderingIranandAfghanistan.Ahmadisanidealisticteacherinexile,educatingthelocalcommunity;hispartnerHaseeba,however,hasspenttimeinjailinTehranfortheverysameoffenceagainsttheState.Thedisaccordbetweenthemisnotonlysocialbutalsopersonal.Ahmad’sdestinycollideswiththatofafamilyfleeingtheTaliban;soontheintricatedivisionsofageandgenderwithinthatgroupwilltriggerotherproblemsandentanglements–includinga’loversontherun’intriguethatfleetinglyrecallsMurnau’sclassicTabu(1931).Acrossallthearresting,shiftingperipeteiaofitsplot,AbbasAmini’sfilmdeftlydramatisesthecomplicatedquestionofcommitment:dowecommitourselvestoapoliticalcause,asetofreligiousbeliefs,oraperson?Andhowdowenegotiatethecommitmentsofothers,eventhoseclosesttous,whentheyarebasedonaverydifferentvaluesystem?Withitssparsemusicscore,denselynaturalisticactingandunostentatiouscamerawork,EndlessBordersisalmostaminimalisticsuspensethriller(withHitchcockianovertones),combinedwithaheatedfamilymelodrama–butitneverlosessightoftheseriousandextremelytimelyissuesthatitraises.源自:https://iffr.com/en/iffr/2023/films/endless-border家庭片拿捏很难,代际,同辈,激情,利益,各类元素织成一个网,紧紧网住糊口正在一同的一群人。东亚家庭的那种禁止,隐忍,以及复纯幽微的情绪表达,正在客厅,正在会堂,正在饭桌.....好像不用对话,心照不宣的眼神暗示都能读懂彼此,如此默契又如此拧巴,就像母亲末于正在前夫死后教着放下,有那种转变,真的不简单,很多人都是恨一辈子,抱怨一辈子,正在糊口中误读一辈子。
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